FALL 2023

 

Memory 1, Acrylic on canvas

Maxim Timofeev - Born in the USSR in 1988, half Russian, and half Ukrainian blood coursing through my veins. My childhood was spent in Ukraine, my education pursued in Russia, and now I am resident of the UAE. I graduated from art school but distanced myself from creativity for many years. When doctors presented me with an irreversible diagnosis, I reassessed my life. While traveling in India, I reconnected with art and

discovered the genre of street photography, which embodied my newfound perspective of a world where something is always happening. This experience led to my return to art and became a natural outcome of my transformations. I identify as “they.”

My work is characterized by an abundance of layers, hidden messages, and surreal scenes, reflecting not only my inner world but also that which is channeled through me from higher realms. By shifting the focus of attention, my creations provoke a shift in a person’s assemblage point, transcending binary systems, much like what once happened to me. A new perspective on the internal transforms the manifestations of the external, finding forgotten doors to one’s true self and leading to the question: who am I?

https://timofeev.gallery/

 

archives.networks

archives.networks is an ongoing series studying archival practices, digital and manual documentation, networks and neural networks, how information is shared and stored, and how archiving and documenting shows relationships, the passage of time, and the repetition of history.

Nico luna paz -

Nico luna paz (they/them) is an interdisciplinary artist based in Brooklyn, NY. Their work often manifests in the intersections between social practice art, traditional craft, and climate activism. As a theater-maker, they often collaborate on pieces that go beyond fine arts; they enjoy using interactive mediums in addition to experiential crafts to transform environmental experiences into queer-informed works. They are a member of the collective The Revolution School, which received a Creative Capital grant for their project “My Little BEI: Robot Animal Familiars”. They are a member of IATSE Local 764, and also often work with the Sunrise Movement. nico also runs the social justice fundraising arts collective Power Not Panic, since 2018.

https://www.nikkilunapaz.com/  

 

Fans Going, 2023, Various Scans from The New York Public Library, Electric Fan

2ftx 4.5ft

Talia Rudofsky - In my work, I explore the awkwardness of being a British American Jew. This split narrative has created the potential to critique both cultures, and offers a perspective rooted in discrepancies suggested by peers and acquaintances. By employing an element of satire, I analyze tropes of British and American culture that are second nature to me, and further question these traditions and cliches. My practice falls under a multidisciplinary approach, whereby I translate these investigations of colloquial normality into tangible works to critique and isolate these different archetypes. My work engages with iconic imagery associated with England, including references to football, politics, monarchy, and my personal interaction with certain traditional objects and pop culture. As a photographer, sculptor, filmmaker and DJ, I attempt to investigate ways of expressing a singular concept through all mediums. It has to be holistic. My influences is multi faceted, in the way that music plays a large part of my work. In my own practice I have always stood to subvert the current state of the art world through the deinstitutionalization of the way we consume it, as well as who consumes it. This is to do with the way that I question traditional material techniques as well as traditional heritage. The saturation of imagery is what fuels my practice. The mass distribution of stock imagery results in the differentiation of identical posters or photographs. It is this combination of different contexts, sun exposure, and socio economic environment, that alters these normally indistinguishable images meaning. Just like the pictures generation, it is to understand how a photograph retains an entirely different meaning based on the environment that houses it.

https://talia.xhbtr.com/

 

Elastic Journey's, Acrylic on car door

Zane Winn -

My name is Zane Winn Guivetchi I’m an emerging artist from Sacramento California. I’m 25 years old. My paintings are a direct link to my heart, body, and soul. My work celebrates and pays homage to the late great Jean-Michel Basquiat with my contemporary, and primitive style, I intertwine both of our heart, an minds as one to create something recognizable and refreshing. I work primarily with Acrylic paint, charcoal pencil, oil pastel, and markers to create a beautiful amalgamation of colors and textures.

 

SUMMER 2023

 

Night Market, Installation

Ellie (Ellen) Liu - I work with textiles to create soft sculptures and quilts. The art I make includes appropriations of “Asian” imagery to tell the story of my identity as a female Taiwanese American who never truly feels at home. I utilize familiar East Asian visual themes such as repeating geometric patterns, the color red, and Chinese characters. My work often attempts to replicate objects from my childhood as artifacts that have lasted longer than my memory has. I am drawn to textiles as a medium that is typically associated with feelings of comfort and warmth, and as an art form seems tangible yet modest and relatable. Stereotyped as a feminine craft, and traditionally made by women, I find value in elevating textiles to fine art as I am interested in the contrast between female labor and the type of art that is recognized in galleries. For me, the need for representation of not only female artists but also Asian artists drives and inspires my work, while simultaneously boxes me in and I explore this dynamic whenever I create a work of art. Although textiles require a lot of time and patience, my work often results in imperfections and unpredictable outcomes such as unfinished threads and irregular shapes. I treasure the flaws and the evidence of a piece made by human hands, and this is reflected in the soft sculptures I make. Because of the sentimental yet laborious nature of fiber, textiles are a natural way for me to deal with themes such as childhood, belonging, and memory.

 

I wrote to you in the riptide, 2023, glass glitter and acrylic paint on mounted giclee, 20x16”

Laura Cleary Williams - Williams’s abstract spaces are an ode to an imperfect language. Through motion, she makes marks that translate thought - subconscious – a viscerally understood language. Williams works from her hometown of Chattanooga, Tennessee. In 2009 she received her Bachelor of Fine Arts from Tufts University and the School of the Museum of Fine Arts, Boston. Next, Williams received a full scholarship to complete her Master's in Printmaking in 2012 at SCAD-Atlanta. Williams worked at SCAD‘s Southeastern Center for Printmaking. There, she worked on an ambitious print collection with Kiki Smith and Valerie Hammond. Initially working as an assistant printer, Williams was indispensable to the project and was promoted to the assistant project manager. On the heels of this project, Williams founded, managed, and co-owned Straw Hat Press, which specialized in fine art publishing and contract printing. As Straw Hat flourished, Williams realized that despite her success in printmaking, she would always be devoted to her love of drawing. Subsequently, she left Atlanta and returned to her hometown to pursue her career as a gallery artist, where she is still drawing. 

“My drawings are composed of transparent layers which reflect the passage of time and the degradation of memory. Each piece traces the boundaries of my imagination. Patterned with gestural lines inspired by the abstract expressionists, each layer is a collection of choices that together are alive. My work breathes like a cobweb in the wind - faint, delicate, and ephemeral. Throughout my life, I have floundered with language. Art provided me with a visual vocabulary in which I no longer felt restricted. Drawing unbound my voice. With each line and every stroke, I document my existence. Layers of graphite are the scars left behind as I strive to express what language denied me. Each sketch is a stolen moment of peace and beauty amid the never-ending battle between my dreams and desires, my regrets and pain. My work is a love letter to the girl I was and to everyone who yearns to express what cannot be said with words. Each piece is an imperfect sonnet to the power of imagination and joy of expression.”

https://www.lauracleary.com/ 

 

Taschlic #1, 2002, oil on canvas, 36x36”

Meir Goukhman - Meir Goukhman was born in Moscow, Russia in 1963. He majored in Fine Arts at the Moscow Fine Arts College and upon graduation taught painting in art school while his works were featured in many regional and national exhibitions. When Meir Goukhman left the former Soviet Union for the United States in December 1991, he had to leave his expansive works behind. Since then, he has been faced with the challenging task of recreating his artistic world on new soil. 

Meir Goukhman works with a broad range of media to evoke the warmth of the long-ago shtetl in his unique Russian futurism style. Inspired both by the works of Vladimir Mayakovsky and Hassidic mysticism, Goukhman’s vast body of work is oft-compared to that of the famous modernist Chagall. Goukhman’s art reflects the music and movement found in the everyday, as his evocative brushstrokes reveal the melody of nuances inherent in traditional Jewish life. 

https://www.meirgoukhman.com/ 

 

Free Expression #4, 2023, oil on canvas, 65x80”

MoeX - I grew up in a religious muslim family that did not accept that I am gay and atheist. That's why complete freedom of expression is at the core of my art. I paint, dance, and combine the two to create abstract paintings using my body as the brush. Just like the invention of photography, the emergence of AI requires us to find new ways to express what it's like to be human in this unique moment in history. My process starts with freestyle dancing on top of the canvas. I mix the colors that match how I feel internally, and use my feet and hands as my primary brushes. Nietzsche said: "a man must still have chaos within himself to give birth to a dancing star". My art reminds the viewer of how chaotic and unique the human condition is and will always be.

http://www.moexart.com

 

SPRING 2023

 

FALL 2022

 

SUMMER 2022

 

FALL 2021

 

LATE SUMMER 2021

 

SUMMER 2021

 

FALL 2020